19 Jul 2020 Currently based in Kumasi, Samuel Baah Kortey produced an installation works in a curatorial capacity with blaxTARLINES KUMASI.

He permanently works, as a curator and PHD student, with blaxTARLINES KUMASI – the project space and contemporary art incubator at the Department of

Online shop for Fashion, Health and beauty products. Call or WhatsApp +233 (0) 244024903. 12 Mar 2017 crazinisT artisT, x in REd, performance at blaxTARLINES, Kumasi, 2016, image courtesy the artist, photo by Nii Okanta Ankrah 31 Mar 2019 Affiliated to blaxTARLINES KUMASI, the Centre is operated by committed, dedicated and generous persons who produce critical discourse that 6 Jun 2017 Nubuke Foundation, and co-curated Silence Between The Lines, organized by Ɛyɛ Contemporary Art Ghana and blaxTARLINES, KUMASI. 27 May 2016 Deryk Owusu Bempah. In April, the blaxTARLINES KUMASI curatorial collective held an exhibition entitled “if you love me…” , featuring 30 artists 20 Jul 2016 Last year, the collaborative effort of blaxTARLINES KUMASI, a collective from the department of Paintings and Sculpture at the Kwame Foundation for Contemporary Art (FCA)-Ghana in partnership with Exit Frame Collective, blaxTARLINES KUMASI and SCCA Tamale, is pleased to announce its blaxTARLINES Foundation For Contemporary Art,Ghana @exitframe. We appreciate you all BlaxTARLINES Kumasi är med Kwasi Ohene-Ayeh.

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All roads lead to Tamale as Savanna Centre for Contemporary Art (SCCA)— an artist-run project space, exhibition and research hub, cultural repository and artists’ residency space— in collaboration with blaxTARLINES KUMASI invite members of the general public to its inaugural event, a retrospective of the seminal Ghanaian Modernist artist G.W.K Dawson (b.1940), titled “Galle Winston 2015-06-15 · Press Release: blaxtarlines Kumasi and the Ghana Museums and Monuments Board present: “the Gown must go to Town…” KNUST END OF YEAR EXHIBITION 2015 19th June - 17th July 2015. Museum of Science and Technology. Accra. With the Gown must go to Town, the Department of Painting and Sculpture of the Kwame Nkrumah University of… blaxTARLINES KUMASI, collective and contemporary art project space Chimurenga, a pan-African platform of writing, art and politics Nadia Davids, writer, theatre-maker and scholar Frieda Ekotto, novelist and literary critic Haroon Gunn-Salie, commissioned artist Awa Konaté, critic, curator & founder of @CultureArtSociety Co-curated by Robin Riskin, Patrick Nii Okanta Ankrah, and Selom Kudjie powered by blaxTARLINES KUMASI, in partnership with the KNUST Department of Painting and Sculpture, Ghana Railway Company Ltd., and Ghana Railway Workers Union Kumasi Locomotive Shed The Faculty of Art of Kwame Nkrumah University of Science and Technology (KNUST) in collaboration with the Museum of Science and blaxTarlines Kumasi, project space for contemporary art under the Department of Painting and Sculpture has opened the 2017 KNUST end-of-year exhibition at the Museum of Science and Technology in Accra. The Kumasi Painting and Sculpture Department runs the Fine Art Programmes of the present Faculty of Art (a.k.a. College of Art) at the Kwame Nkrumah University of Science and Technology (KNUST).

blaxTARLINES KUMASI is affiliated with a growing number of schools, institutions, museums and art professionals across five continents. Among the schools and institutions in the network are Foundation for Contemporary Art (FCA)- Ghana, SCCA Tamale, University of Nigeria, Nsukka, CCA Lagos, Gudskul, Jakarta, HFBK Hamburg, Städelschule Frankfurt, SAVVY Contemporary, Berlin, and ENSBA Paris. The portrait series as exhibited at the exhibition 'Silence between the Lines: Anagrams of emancipated Futures' at blaxTARLINES KUMASI, a project space for contemporary art initiated by the Department of Painting and Sculpture at Kwame Nkrumah University of Science and Technology (KNUST) in Kumasi, Ghana.

2018-07-05 · These ideas have manifested curatorially in blaxTARLINES KUMASI’s critically acclaimed end of year exhibitions in Kumasi and Accra since 2014. 9 The exhibition as testing ground for new symbolic relations between artworks and the production of knowledge, intergenerational conversations, collective curating and accessibility programming (translating exhibition material into braille and other

27 May 2016 Deryk Owusu Bempah. In April, the blaxTARLINES KUMASI curatorial collective held an exhibition entitled “if you love me…” , featuring 30 artists 20 Jul 2016 Last year, the collaborative effort of blaxTARLINES KUMASI, a collective from the department of Paintings and Sculpture at the Kwame Foundation for Contemporary Art (FCA)-Ghana in partnership with Exit Frame Collective, blaxTARLINES KUMASI and SCCA Tamale, is pleased to announce its blaxTARLINES Foundation For Contemporary Art,Ghana @exitframe.

Sac-draped buildings and monuments by the artist, invite viewers and passers by to experience sublime and highly inspirational artworks, parts of which have been documented in a book titled “Exchange – Exchanger”, which was published by Verlag der Buchhandlung Walther König (Germany) in collaboration with White Cube Gallery and blaxTARLINES KUMASI.

blaxTARLINES KUMASI is an experimental incubator of contemporary art and sharing community based at the Department of Painting & Sculpture at KNUST The exhibition follows two major shows by KNUST’s Department of Painting and Sculpture last year — one at a repurposed car showroom in Kumasi (Silence between the Lines), another at the National Museum of Science and Technology in Accra (the Gown must go to Town), as well as the launch of blaxTARLINES KUMASI, the Department’s project space for contemporary art. if you love me Co-curated by Robin Riskin, Patrick Nii Okanta Ankrah, and Selom Kudjie powered by blaxTARLINES KUMASI, in partnership with the KNUST Department of Painting and Sculpture, Ghana Railway Company Ltd., and Ghana Railway Workers Union Kumasi Locomotive Shed, 2016 (image by Selom Kudjie) if you love me… is a collaborative effort of railway workers, occupants, engineers, artists, and students of blaxTARLINES KUMASI 2015 - Present 6 years.

Orderly Disorderly, (nazaKU, 2014-2017, Museum of Science and Technology, Accra, Ghana by blaxTARLINES, Kumasi) Rituals of Becoming, (Solo show, Gallery 1957, Ghana) 2016. Bone 19, (performance art Festival, Bern, Switzerland) ‘Cornfields in Accra’, (frozen, 2016 Museum of Science and Technology, Accra, Ghana by blaxTARLINES, Kumasi blaxTARLINES KUMASI 2015 - Present 6 years.
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Speculations… 19 Jul 2020 Currently based in Kumasi, Samuel Baah Kortey produced an installation works in a curatorial capacity with blaxTARLINES KUMASI. He permanently works, as a curator and PHD student, with blaxTARLINES KUMASI – the project space and contemporary art incubator at the Department of 28 Sep 2020 SCCA is affiliated with blaxTARLINES KUMASI, an experimental art institution based at Mahama's alma mater, the department of painting and crazinisT artisT, x in REd, performance at blaxTARLINES, Kumasi, 2016, image courtesy the artist, photo by Nii Okanta Ankrah (2) blaxTARLINES KUMASI. "Changing Lessons:The Kumasi School of “Art and Crafts” in a Scottish Regime (1952-1962)"-- by kąrî'kạchä seid'ou. Read full article 6 Sep 2020 of the summit to blaxTARLINES KUMASI, an experimental incubator of contemporary art and sharing community based in Kumasi, Ghana.

He permanently works, as a curator and PHD student, with blaxTARLINES KUMASI – the project space and contemporary art incubator at the Department of 28 Sep 2020 SCCA is affiliated with blaxTARLINES KUMASI, an experimental art institution based at Mahama's alma mater, the department of painting and crazinisT artisT, x in REd, performance at blaxTARLINES, Kumasi, 2016, image courtesy the artist, photo by Nii Okanta Ankrah (2) blaxTARLINES KUMASI.
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With blaxTARLINES KUMASI, Ohene-Ayeh develops cultural platforms, curriculums, residencies, social networks, studios, and public access art spaces. He is also a member of the Exit Frame Collective, which organises professional development programmes for artists and curators in Ghana.

The exhibition follows two major shows by KNUST’s Department of Painting and Sculpture last year — one at a repurposed car showroom in Kumasi (Silence between the Lines), another at the National Museum of Science and Technology in Accra (the Gown must go to Town), as well as the launch of blaxTARLINES KUMASI, the Department’s project space for contemporary art. if you love me 2019-01-20 De senaste tweetarna från @blaxtarlines El Anatsui's nomination was made by blaxTARLINES KUMASI, the project space of the Department of Painting and Sculpture, KNUST. "Twists Turns and Broken Doors" - Solo Exhibition - 17th June 2017 "Twists Turns and Broken Doors" Solo Exhibition . Opening: 10am. … 2016-06-19 The portrait series as exhibited at the exhibition 'Silence between the Lines: Anagrams of emancipated Futures' at blaxTARLINES KUMASI, a project space for contemporary art initiated by the Department of Painting and Sculpture at Kwame Nkrumah University of Science and Technology (KNUST) in Kumasi… blaxTARLINES KUMASI, collective and contemporary art project space Chimurenga, a pan-African platform of writing, art and politics Nadia Davids, writer, theatre-maker and scholar Frieda Ekotto, novelist and literary critic Haroon Gunn-Salie, commissioned artist Awa Konaté, critic, curator & founder of @CultureArtSociety He espouses blaxTARLINES KUMASI’s politically indifferent approach to twenty-first century emancipatory art practice — which operates on a conception of art paradoxically emerging from a multiplicity and a void, and principled on preemptive equality.

Intergenerational conversations, collective curating and accessibility programming are vital to the curatorial model adopted by blaxTARLINES KUMASI during this series of exhibitions. blaxTARLINES actively collaborates with GMMB and MST in programming and curating to incorporate artefacts in their permanent collection into its exhibitions.

His multi-disciplinary, audience implicating installations and performative “pseudo-rituals”, have featured in exhibitions across the world. He has curated exhibitions with blaxTARLINES KUMASI, KNUST, most prominent being Cornfields in Accra, (2016) and Orderly Disorderly, (2017). blaxTARLINES KUMASI espouses their pledge of turning art “from commodity to gift”. Describing themselves as an ‘experimental incubator of contemporary art’, the Ghanaian collective has worked since being formally instituted in 2015 to generate a community that actively works to touch every participant with the emancipatory power of art. Affiliated to blaxTARLINES KUMASI, SCCA works to produce and share knowledge through exhibitions, workshops, publications, and allied activities. SCCA opening reception: Friday, 4th September, 2020 @ 17:30hrs. Opening hours: Monday – Thursday, 11 am – 8 pm Friday – closed Saturday – Sunday, 11am – 6 pm.